Country music legend Rodney Crowell
at The Victoria Theatre


Singer/songwriter Rodney Crowell left his guitar in his other suit.

By Dave Gil de Rubio

Rodney Crowell is a storyteller. Sure, he’s got a resume a mile long that includes a couple of stints as a key member of Emmylou Harris’ Hot Band, a couple of Grammy wins, nine Country top 40 hits, and a number of commercially successful versions of his songs covered by artists including Bob Seger, Crystal Gayle, and Jerry Reed. He even had his former father-in-law Johnny Cash cut his material.

But in the end, what this respected singer-songwriter does is tell stories. And given that he’s pushing 68, his more recent fare, including last year’s “Close Ties,” which features the Grammy-nominated “It Ain’t Over Yet,” finds him dipping into recent personal history that’s resulted in some of his finest work. For the Texas native, it’s a process that he admits evolved for him in recent years, particularly when he’s asked about the inspiration behind his current collection of songs.

“Inspiration is that I even make records. I write songs all the time. Inspiration comes from hard work,” he said. “It’s not the same when I was 23 years old, writing songs and they would just overtake me and I’d have to write them down and get as much as I could. The last 25 years, I just work at it, day in and day out.”

The 10 songs that make up Crowell’s fifteenth studio album are a fascinating insight into a rich past that finds him sharing a slice of what life was like when he arrived in Nashville, mistakes he’s made in his life and nods to important people in his life who’ve passed. One person who stands out is the late Susanna Clark, the wife of Crowell’s mentor Guy Clark, who died in 2016. Crowell’s close relationship with her revealed someone who was not only a major inspiration to numerous now-famous singer-songwriters, but someone who struggled with mental health issues right up until she died. It’s a story he tells well amid the mid-tempo mournfulness of “Life
Without Susanna.”

“‘Life Without Susanna’ is based on a 40-something-year friendship with Susanna Clark. She was the woman behind a bunch of men and women including Guy Clark, Townes Van Zandt and people like me and Steve Earle. I know Carleen Carter and Rosanne Cash were also under her spell for a while, so it wasn’t only men. But it was a tragedy and everything in that song is the way it went down,” Crowell explained. “She was my close friend. Early in Nashville, she was young, vibrant and was a poet and painter who lived like an artist and that was inspiring. But she also grew progressively agoraphobic. After Townes died, she basically took to her bed. The last 10 years of her life I spent trying to get her out of bed to paint and to be who she was. But it couldn’t be done, so that was really frustrating. When she died, I decided to paint a picture of her the way I paint. I realized that if it was going to be a love song about a friend, I was going to make it exactly how I felt in the latter part of our lives. That song was torn from the pain in my heart.”

Crowell’s ability to take a hard look at his life also manifests itself in “I Don’t Care Anymore,” a brutally honest slice of self-assessment. Elsewhere, the listener gets to hop on a time machine, where we hear Crowell share insight about mid-1970s Nashville on the ruminative “Nashville 1972.” When it’s mentioned that this particular Nashville era sounded like the early 1960s Greenwich Village folk scene, Crowell countered that it was more like Jazz Age France.

“I lived in a house with Richard Dobson, who passed away recently, and Skinny Dennis Sanchez. Richard fancied himself a literary sort. He had the tweed coats with the elbow pads and he carried himself kind of like Ernest Hemingway with a guitar. And he was constantly saying that we were living like Paris in the 1920s,” Crowell recalled. “The beautiful thing about it is that nobody had money on their mind. Somehow we all ate, were clothed and had a roof, but nobody ever spoke of money. It wasn’t even a consideration. It was, ‘how is the work going?’”

As for knowing when he knew that being a professional musician was going to be his lot in life, Crowell pointed out there was never another option.

“Music is what I was born to do. There’s nothing else I can do,” he said. “Besides getting out in the yard and playing as a kid, all I remember is music. It was like that cartoon where the cat floats away from the smell of the catnip. That’s what happened when I heard music. I just floated away.”

Rodney Crowell will appear at the Victoria Theatre, 138 N. Main St., Dayton, on April 13 at 8:00 p.m. For more information or tickets, call 888.228.3630, or visit ticketcenterstage.com.

Tags: , ,

Reach DCP freelance writer Dave Gil de Rubio at ContactUs@DaytonCityPaper.com.

No comments yet.

Leave a Reply

Got an Opinion?

YourOpinionMatters

We are interested to hear what you think.  Please send us a message. [contact-form 4 “Opinion”]  

Yes, Flying Saucers Do Exist!

Allison Maddux (Scandal #5) layout bid against Kathryn Lawson (Riot #38). 2013 USA Ultimate Club National Championships Women's Semifinals

Please don’t call it Frisbee. Colorful flying plastic discs fill the air around this time of year, tossed from hand […]

Debate 7/10: You’ve got mail…for now!

DebateMcCoy

Who in their wildest dreams thought Donald Trump could be a consensus builder? Certainly not me. Donald has done something […]

Bubbles to beat the brunch backlash

EPICUREAN_WINE1

I casually peruse food articles, as you might guess. One emerging set of hot takes seems to revolve around brunch. […]

Jump, jive, and wail!

FeatureTheatre

Since 1982, Muse Machine has been a staple of many lives in the Miami Valley. Over 76,000 lives, each year, […]

A Monument to Insurrection

FeatureVisuals

Dayton Society of Artists’ special summer exhibit Alan Pocaro, The Distance Between Us When We Communicate (Detail) By Tim Smith […]